2020年6月5日 星期五

The Daily: A Week of Unrest

Capturing the sounds of a nation’s anguish.
A mural of George Floyd in Minneapolis.Donfard Hubbard

How do you cover a nationwide outcry?

The answer, we decided, is with a lot of voices. There is not a single story of this moment. It is millions of stories, from every corner of the country.

We began with the news.

Last Friday, a team of producers and editors began making a special evening episode with our colleague Audra Burch to document the growing outrage over the police killing of George Floyd in Minneapolis, and the national protests that were spilling into the streets.

Audra ended our conversation with a candid assessment and a set of questions about “how we should be thinking about who has the right to justice.” “We want to think everybody does. But I don’t know,” Audra said. “I just have been thinking a lot about it and frankly have not come up with any really good answers. But I do know that we deserve better and more honest conversations.”

Then, we tried to capture the momentum of the unrest as it continued to build.

We planned a show for Monday that we hoped would represent the private anguish and public protests unfolding before our eyes. We asked colleagues to record what they were seeing on the front lines of the demonstrations, and to narrate in real time. By Sunday, we had collected a set of powerful vignettes that, when combined, began to convey the magnitude of the moment.

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The episode started with producer Hans Buetow, who lives just outside Minneapolis, on the ground in the city still in the throes of protests, asking residents through a mask to describe the scene around them. In this excerpt, he’s speaking to a woman who is cleaning up the remains of a demolished restaurant:

AMANDA BOWLIN: It’s pretty much just soot and bricks and melted glass, melted steel. You couldn’t really tell that there was ever a building here.
HANS BUETOW: Your hands are black.
AMANDA BOWLIN: Yeah.
HANS BUETOW: Even through the gloves.
AMANDA BOWLIN: Yeah, went right through the gloves.

From there, the episode told a chronological story of the weekend, with dispatches from Mike Baker in Seattle, Nikole Hannah-Jones in New York and John Eligon in Minneapolis. It concluded with a black protester telling John, who is himself black, that the space between them was both enormous and infinitesimal. “You’re a black man looking in my eyes. Does this look necessary?” the protester asked John. You can hear John wrestling with this tension:

JOHN ELIGON: And one thing that struck me as I talked to two of the protesters who were being arrested is, they said that I was black just like them, but the only thing that was different was that I had a press badge on. And I really didn’t know what to say to that, in some ways, because in a way that’s true, right?

As the scale of the story emerged, we decided to devote the entire rest of this week to the protests and the crisis. We examined the systems that protect police officers who commit misconduct; spoke with the mayor of Minneapolis, Jacob Frey; reconstructed the Trump administration’s forcible removal of peaceful protesters from Lafayette Park; and, finally, heard from five protesters about the lived experiences that prompted them to take to the street in this moment.

Joe Morris, a protester featured in today’s episode.Julian Gonzalez

But we are not done. Over the coming days and weeks, we will document the ongoing protests, the response from police departments, and the systemic issues — seen and unseen — that lie behind the death of George Floyd.

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We’re eager to hear your feedback on these shows and your ideas for ways to think about and cover this moment.

Talk to Michael on Twitter: @mikiebarb.

Memorializing 100,000 lives

On last Friday’s episode, we remembered the lives of 100 people who died from the coronavirus in the United States. Producer Bianca Giaever explains how this episode came together:

About a month ago, as I watched the coronavirus death toll grow, I began to think about some of the most powerful memorials I’ve witnessed: thousands of names etched into the mirror of the Vietnam Veterans Memorial. The hulking pile of lost shoes at the Holocaust Memorial Museum. Every item an artist’s mother owned before she died, displayed carefully in the atrium of the MoMA.

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I wondered if it was possible to make something just as impactful in audio. What would that sound like?

A story by Lydia Davis came to mind. In “Local Obits,” she arranged various descriptions from obituaries, using only first names. For example: “Tootles enjoyed puzzles of all kinds, painting items her husband built and keeping in touch with family and friends via the computer.” Davis embraced the clichés that people grasp for when a loved one dies.

Her work became the inspiration for last week’s episode honoring 100 lives lost to the coronavirus, which we aired just after the death toll crossed 100,000 in the U.S. Producer Annie Brown and I collaborated with colleagues in the newsroom to gather and arrange moments from people’s lives. Our other producers reached out to families to make sure we pronounced every name correctly. I even found the number for Dave Prine, the brother of singer John Prine, in a phone book, and miraculously, he gave us an interview.

We finished the episode just as the sun was coming up. And in our final edit, we changed Michael’s intro to say “100,000 lives,” instead of “100,000 deaths.” The choice of life over death summarizes the episode — it’s the joyful moments from those lives that triumph.

Follow Bianca on Twitter: @biancagiaever.

A series finale

The Rabbit Hole team, living on the internet. From left: Andy Mills, Julia Longoria, Larissa Anderson, Sindhu Gnanasambandan and Kevin Roose.

Yesterday, we released the final installment of our Rabbit Hole series, which you’ll hear on The Daily tomorrow. Editor Larissa Anderson offers a closing reflection:

The process of producing an audio series is both creative and destructive. Our reporting and tape are the building blocks, and we try to push them to tell the most human and emotionally complicated story possible. We build drafts and then we tear them apart. Over and over.

After months of debating and rebuilding, we arrive at what I find to be one of the most joyful parts of our process. In our past lives, my colleagues and I would crowd around a computer to listen to an episode. We’d consider every second. Does that breath work? What about where the music comes in, and how it goes out? And at the end, we’d ask ourselves: Do all of these seconds — all of these small moments — add up to something bigger? A complicated feeling, a new thought or question? This process requires us to listen differently, and more deeply, than we do in the mundane minutes of our days.

By the end of Rabbit Hole, our team was not crowded around a single computer. Instead, the frames of our screens were filled with palm trees, a Midwestern sunset, a 5-year-old. It’s harder to hear intricacies this way — refracted through a video call, the sound can warble and glitch and cut out. So we leaned closer and listened harder.

Rabbit Hole has revealed the many ways the internet is changing us. And as we finish the series, I’m grateful that the internet also made it possible for us to work together to tell this story.

Follow Larissa on Twitter: @larissaluu.

On The Daily this week

Monday: With dispatches from our reporters on the ground across the country, we take you to the front lines of a weekend of pain and protesting.

Tuesday: The Minneapolis police officer whose tactics led to George Floyd’s death had a long record of complaints against him. Shaila Dewan asks: Why was he still on patrol?

Wednesday: Mayor Jacob Frey of Minneapolis explains why this moment “is not just about the eight minutes of time where our officer had his knee on George Floyd’s neck. This is about a hundred years’ worth of intentional segregation and institutionalized racism.”

Thursday: Peter Baker on how a high-stakes White House debate led to a presidential photo-op — and the forceful removal of peaceful protesters from Lafayette Square.

Friday: Five people share why they’re protesting against the killing of George Floyd.

That’s it for The Daily newsletter. See you next week.

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Is this the 'standing army' the founders feared?

If so, what does that mean for reform?
The police in riot gear in Louisville, Ky., on Monday.Luke Sharrett for The New York Times
Author Headshot

By Jamelle Bouie

Opinion Columnist

This past March was the 250th anniversary of the Boston Massacre, in which a group of British soldiers fired on a crowd of protesters outside of the state house (now the Old State House), killing five people, including Crispus Attucks, a sailor of Native and African descent.

I took a trip to Boston for the occasion, speaking with historians and re-enactors about the event, which was pivotal in driving the city to rebellion and the colonies toward independence. One factor precipitating the confrontation, I learned, was the de facto military occupation of the city by British Regulars.

The French and Indian War ended in 1763 with London in control of vast territories on the western reaches of the American colonies. To protect those territories — and to keep opportunistic colonists from settling them and provoking conflicts with Indigenous communities and foreign powers — the British kept thousands of soldiers on hand to keep the peace and restrain colonists when necessary. In 1765, Parliament passed the first Quartering Act, requiring colonists to house, feed and supply those soldiers, who at that point were also tasked with handling civil unrest among Americans angry with the heavy hand of the Crown on their activities.

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Even with the act in place, quartering was uncommon. But colonists in cities like Boston still had to contend with soldiers on the streets, whose presence led to protests, conflicts and altercations, like the one that led to the massacre. This experience — of quartering, occupation and the resulting unrest — would inform the men who drafted the Constitution as they debated the extent of the federal government’s ability to raise an army. For many, any standing, permanent army would lead directly to the kind of abuses Americans suffered under British soldiers. Even Alexander Hamilton, a fierce supporter of a powerful central government, was wary of standing armies, which he said would bring “the violent destruction of life and property.”

Despite these misgivings, however, the framers would include an “Army clause” in the Constitution, giving Congress the ability to “raise and support Armies” with funds appropriate for a term of no longer than two years (in a nod to those concerns).

Still, this provision would spark fierce debate when the Constitution went before state legislatures (and the public) for ratification. For antifederalist opponents of the Constitution, the Army clause was a dangerous invitation to the kind of tyranny and degradation the colonists fought a war to end. A writer with the pen name Brutus warned that a standing army would “inevitably sow the seeds of corruption and depravity of manners.”

Luther Martin, another leading antifederalist, took a similar position, contrasting an oppressive and hierarchical standing army with a more democratic local militia: “When a government wishes to deprive their citizens of freedom, and reduce them to slavery, it generally makes use of a standing army for that purpose, and leaves the militia in a situation as contemptible as possible, least they might oppose its arbitrary designs.”

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I raise all of this to suggest a thought: Founding-era warnings against standing armies might apply as much to our militarized police forces, which all too often resemble an army in form and function, occupying neighborhoods as soldiers rather than keepers of the peace, with predictable results. As we’ve seen in just the past week, our police — with their lawlessness and outright opposition to accountability — are acting in exactly the ways Americans feared in the Revolutionary period.

If this is true, or even anywhere close to true, it raises difficult questions about how we approach the problem of policing. Do we fight for reform? Or do we look for ways to fundamentally rethink the institution as it exists?

What I Wrote

My Tuesday column was on the uses and abuses of history, and especially the attempt to analogize the circumstances of today to those of 1968.

All of this gets to a larger point. History can be incredibly useful for analyzing and understanding the present — that is, in fact, the aim of much of my writing. But we shouldn’t forget that our circumstances are not theirs, and our future cannot be divined from the events of the past. We simply do not know what comes next, nor can we predict the events that — as we have seen with the pandemic and the killing of George Floyd — can move an entire nation from one path to another.

My Friday column was on the idea of a “police riot” and what it means for our democracy.

What we’ve seen from rioting police, in other words, is an assertion of power and impunity. In the face of mass anger over police brutality, they’ve effectively said So what? In the face of demands for change and reform — in short, in the face of accountability to the public they’re supposed to serve — they’ve bucked their more conciliatory colleagues with a firm No. In which case, if we want to understand the behavior of the past two weeks, we can’t just treat it as an explosion of wanton violence, we have to treat it as an attack on civil society and democratic accountability, one rooted in a dispute over who has the right to hold the police to account.

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Now Reading

Kellie Carter Jackson on the history of riots in America in The Atlantic.

Sherrilyn Ifill on how to change policing in America in Slate magazine.

Siva Vaidhyanathan on Mark Zuckerberg in Wired.

Lauren Michele Jackson on reading your way to anti-racism in New York magazine.

Lawrence Douglas on the chance that Trump just doesn’t leave in Vox.

Feedback

If you’re enjoying what you’re reading, please consider recommending it to friends. They can sign up here. If you want to share your thoughts on an item in this week’s newsletter or on the newsletter in general, please email me at jamelle-newsletter@nytimes.com.

Photo of the Week

A re-enactment of the Boston Massacre, in Boston, Mass.Jamelle Bouie

While in Boston I took this photo of the nighttime re-enactment of the massacre. I was pleasantly surprised I was able to capture this, given how my digital camera is a little older and doesn’t do as great in low light as its more recent successors.

Now Eating: Rancho Gordo’s Borracho Beans

I have been a member of the Rancho Gordo “Bean Club” for about five years and have gotten pretty good at preparing beans in a variety of ways. One of my favorite ways to have beans is this simple preparation, which relies on aromatics and roasted chiles for its flavor. The bacon is optional — sometimes I use it, sometimes I don’t — but the smokiness is nice. A healthy amount of smoked paprika (I’d say at least a teaspoon and a half) is a more than suitable substitute. The recipe comes from the quarterly Rancho Gordo newsletter, which I get in the mail along with my beans.

Ingredients

  • ½ pound bacon (optional)
  • 1 pound dried Flor de Mayo beans (or dried pinto beans), picked over and soaked for 4 hours
  • 1 large white onion, diced
  • 5 cloves garlic, minced
  • 1 bay leaf
  • 4 green chiles like Hatch or Anaheim
  • 1 bottle Modelo Negra dark beer
  • Salt to taste
  • Fresh cilantro and minced white onion for garnish

Directions

In a large pot or Dutch oven, sauté the bacon if using. When cooked, reserve on paper towels. Add the onion and garlic to the bacon fat and fry until soft, about 5 minutes. If you aren’t using bacon, use 2 tablespoons olive oil instead.

Add the bay leaf and the beans and their soaking water, as well as enough additional water (or chicken or vegetable stock) so that the beans are covered by about 1½ inches.

Bring to a hard boil for 5 minutes, then reduce heat to a mere simmer and cook until the beans are soft, checking for doneness after about an hour. Add salt just when the beans start to soften.

In the meantime, roast the chiles: Preheat the broiler and arrange the chiles on a baking sheet. Place the baking sheet directly underneath the flame and roast for 8 to 10 minutes, turning the chiles occasionally with tongs so that they char evenly. Transfer the chiles to a bowl, cover with a dish towel and let them steam for 10 minutes. When the chiles are cool enough to handle, the skins should rub off easily. Remove the stem and seeds, then chop the chiles.

Add the beer to the beans and additional salt to taste. Add the chiles and crumble in the reserved bacon (if using) and heat through. Serve with cilantro and diced raw onions.

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