2020年9月10日 星期四

On Tech: Social media shaming your college

Students are using apps to shame their schools into better coronavirus plans.

Social media shaming your college

Jonathan Djob Nkondo

We’ve all seen social media used to shame people we disagree with. Those milliseconds of tsk-tsking might feel good, but I doubt they’re helpful.

Then my colleague Natasha Singer told me about pandemic shaming I can get behind.

College students are using TikTok, Twitter and other apps to embarrass their universities when they fail to care for people who have been isolated in special Covid-19 dorms or are in quarantine units because of a possible exposure.

Natasha, who wrote this week about universities botching on-campus quarantines, talked to me about how young people — often being shamed for acting irresponsibly in the pandemic — are now turning the tables on the grown-ups, and how colleges are sometimes over-relying on technology that doesn’t do much to protect students.

Shira: Tell me your tales of students using social media to shame their schools.

Natasha: Many people have seen the online videos of students stuck in quarantine or isolation documenting crummy or nonexistent university-provided meals.

But what I found went deeper: Sick students are making videos about how they felt universities abandoned them once they tested positive and moved into special Covid dorms.

And there are a bunch of students who shared online their shock that virus-infected students or people who were waiting for tests were assigned to share a room, bathroom or dorm — conditions that they worried could foster infections. In some cases, their colleges then improved services for quarantined students.

College students are also being shamed on social media for their behavior.

Yes, some kids are partying or going to bars in large numbers without masks. But epidemiologists said some schools also made the risks worse by failing to make systemic changes to help curtail the virus. They also said some schools have significantly reduced occupancy in dorms, a change that could help hinder outbreaks.

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Sending infected students home is dangerous because it risks spreading the coronavirus to their families and communities. What should colleges do?

Public health experts say the best practice is for schools to care for the mental and physical health of students who are quarantined, and not leave them to fend for themselves.

Many schools didn’t seem to have a plan in place to closely monitor and care for students in isolation dorms, and hadn’t envisioned what it’s like for an 18-year-old who gets sick and feels cut off.

What are examples of colleges that did make useful changes?

Tulane University has nurses on staff 24-7 in a dorm for students with infections. The nurses deliver meals three times a day and check on students to make sure they’re OK.

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Tufts University created modular, individual isolation housing units in a parking lot for students with virus infections. School officials said they didn’t want to put sick students in old dorms that lacked elevators — which might be needed to transport a student to a hospital.

You previously reported on workplaces trying to protect employees from the coronavirus. How are colleges acting differently or the same?

One similarity is that workplaces have used a lot of unproven or iffy technology, like fever screening devices, that make people feel safer but might not actually do much to mitigate coronavirus risks. Universities are now going ahead with some of the same technologies, when they could be using a more proven technique: frequent virus testing.

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Why your wildfire photos don’t look like real life

The sky in places on the West Coast turned a murky orange this week because of wildfires. But some people said that photos they took on their phones made their apocalyptic skies look almost normal.

What gives? Well, digital cameras try to take snapshots that look better than reality.

“Any camera doesn’t see exactly what the human eye sees; it’s not an exact duplication,” James Estrin, a staff photographer for The New York Times, told me. Most smartphones, he said, are “programmed to make the most pleasing photos for people, and that usually means a bright blue sky.”

Imagine the software in your smartphone camera digesting that eerie orange hue, and figuring that is not how the sky is supposed to look. That’s why some people were having trouble capturing how scary it looked outside their windows.

James said that most of the time, we want cameras to tinker with our snapshots. People like me who aren’t capable photographers don’t want to think about exposure times, shutter speeds or color balance. And I want my phone to make my photos less blurry or brighten images from a dark restaurant. Reality is overrated.

But for people who are frustrated that their smartphones aren’t accurately capturing what they see, there are apps like Snapseed and Halide that let people adjust the color on their smartphone-shot photos. (Check out these before-and-after app-adjusted shots from a Bloomberg News journalist in San Francisco.)

James said apps like Photos included on iPhones have edit options, and choosing “warmer” colors will restore those photos of the orange skies to something closer to what people see with their own eyes.

“They are extraordinary cameras in general,” James said about our smartphones. Some of his iPhone photos have been published in The Times, too.

You deserve more interesting and fun things for your ear holes. Let me point you to “Sway,” a new podcast about power and influence from my colleagues at Times Opinion and the tech journalist Kara Swisher. Check out the trailer.

Before we go …

  • Who is responsible for workers who aren’t employees? Uber and other “gig” companies classify their workers as contractors and not employees, leaving a legal gray area about who is responsible for injuries or mistreatment on the job.My colleagues Kellen Browning and Kate Conger write that a civil rights nonprofit is asking California regulators to step up protections for house cleaners who booked work through a gig app called Handy and said they were sexually harassed by clients and couldn’t get Handy to address it.
  • He helps make sure “the babies” can do remote school: Online school stinks, but the education news website The 74 has a lovely article about the head of information technology for San Antonio’s schools. He helped prep teachers for remote instruction and set up a tech support help desk that fielded up to 1,400 calls from families on the first day of virtual school. He and other staff members refer to students, affectionately, as “the babies.”(I first read about this in The Times’s Coronavirus Schools Briefing, which you should sign up for!)
  • “We need ways to politely disconnect.” YES, PLEASE, to this OneZero columnist’s plea for universal digital “away messages.” These pop-up notices, popularized by 2000s-era AOL, automatically notify people who are emailing, messaging and texting us that we are trying not to be distracted and will read all that stuff later. Or never.

Hugs to this

I envy the life of Tiptoe the 175-pound tortoise, whose big outing was a stroll across the street — motivated by his “walking snackies.”

We want to hear from you. Tell us what you think of this newsletter and what else you’d like us to explore. You can reach us at ontech@nytimes.com.

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2020年9月9日 星期三

The T List: Five things we recommend this week

Walter Price paintings, three-legged chairs — and more.

Welcome to the T List, a newsletter from the editors of T Magazine. Each week, we’re sharing things we’re eating, wearing, listening to or coveting now. Sign up here to find us in your inbox every Wednesday. You can always reach us at tlist@nytimes.com.

See This

New Abstract Paintings From Walter Price

Walter Price’s “A Breeze Filled With Determination Wafted Towards Us” (2018).Courtesy of the artist and Greene Naftali, N.Y.

By Madeline Leung Coleman

T Contributor

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When Walter Price was growing up in Macon, Ga., he would sometimes wake before sunrise to join his mother on the porch and watch the day begin. It was a habit that the self-described early bird reinforced during the four years he spent in the Navy, before attending art school on the G.I. Bill and later moving to New York. Today, the 31-year-old’s ultra-disciplined art-making ritual involves rising before 5 a.m. to stretch, exercise and draw. Price’s first show opens this week at Greene Naftali and features paintings and drawings of images that, like your first thought of the day, hover between dream and waking observation. In his modestly sized acrylic paintings, abstracted landscapes and domestic scenes are overlaid with sketchy graphite lines, floating shapes, pasted-in photographs and inscrutable phrases. In one work from 2019, “It has to rain before you can see where all the leaks are at,” lightly sketched human figures pass between cars, holding umbrellas aloft; the sky is a bruised chartreuse, rain clouds daubed on in a thick, gluey gray. In another canvas from 2018, a crimson sun in a fuchsia sky burns down on a red convertible and field of bright blue palm trees. It all stems from the artist’s obsession with color and line. As he said in 2018, “I tend to try to take all the basic fundamental elements of art and create a very funky painting.” “Pearl Lines” is on view at Greene Naftali from Sept. 11 through Oct. 31, 2020, at 508 West 26th Street. Reservations are recommended, greenenaftaligallery.com.

Eat This

The Latest Sweet Obsession in Paris? Babka.

Babka Zana developed four varieties of its dense, braided speciality: chocolate hazelnut, pistachio orange, halvah lemon and cinnamon.Geraldine Martens

By Hilary Moss

As soon as I can safely make it to Paris, I plan to divide my caloric intake between my sister-in-law’s kitchen and Babka Zana, a recently reopened bakery in the Pigalle neighborhood, in the city’s Ninth Arrondissement. Its proprietors — the husband-wife duo Emmanuel Murat, a film producer, and Sarah Amouyal, a fashion stylist and artistic director — had long dreamed of doing a culinary project together. “We cook a lot and travel when we can to discover new flavors,” says Amouyal. The pair fell in love with babka — the dense, braided cake popular in the Jewish community of 19th-century Poland — on trips to Tel Aviv and New York City, and decided to create their own space dedicated to the sweet treat. Amouyal and Murat perfected their brioche recipe alongside the celebrated French pastry chef Benoît Castel and then developed four different kinds — chocolate hazelnut, pistachio orange, halvah lemon and cinnamon — for Babka Zana’s opening in January. The shop also offers rugelach, another Jewish-Polish pastry, sandwiches on homemade challah bread and bourekas, which are Israeli cheese-filled puffs. Amouyal and Murat closed the bakery temporarily in the spring because of the pandemic but are now back in business, with a babka ice-cream sandwich added to the offerings — perfect for late summer. 65 Rue Condorcet, Paris, babkazana.com.

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Try This

Expertly Designed Three-Legged Chairs

The Poltrona-U armchair.Courtesy of UXUA

By Rima Suqi

T Contributor

“I’ve always had an obsession with chairs that have only three legs,” mused Wilbert Das, the Dutch-born designer, former creative director of Diesel and co-founder of Uxua Casa hotel and spa in Trancoso, Brazil. Das lives with and often commissions pieces of this style for homes he designs for clients such as Anderson Cooper and Richard Gere (who Das is working with on a resort in Puerto Vallarta, Mexico) — so it’s no surprise that his new collection of home furnishings features two three-legged designs. The Poltrona-U armchair and Cadeira-U dining chair are both curvaceous pieces inspired by midcentury designs and handmade by local artisans from reclaimed tropical hardwoods including brauna and muiracatiara. “It is now illegal to cut down these trees, but we buy a lot of old beams that I normally use to build new houses with an old soul,” he explained. These, like many other pieces in the collection — a sofa upholstered in vintage Italian linen, aortic-looking ceramic lamps and vases shaped like pendants — were originally made for the Uxua Casa hotel but developed into a commercial collection after guests repeatedly requested to buy them. uxuadas.com.

Rent This

Luxury Catskill Cottages for a Cozy Getaway

Eastwind’s three new suites, each of which sleeps four and features a lofted queen bed and private patio.Lawrence Braun

By Nancy Coleman

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Being housebound for months seems to have driven many of us toward the same escapist pastimes: baking crisp loaves of sourdough, staring at jigsaw puzzles for hours on end and, at least while the weather is warm, camping — the last of which, if you’re anything like me, is immediately ruled out by the bugs, humidity and your own utter lack of wilderness skills. The solution lies in the Catskills, where a new collection of cottages offers guests a slightly more luxurious way to experience the great outdoors. Eastwind, a hotel set in the hills of Windham, N.Y., has offered several two-person A-frame cabins from the luxury camping developer Lushna since it opened in 2018, but its four-person cabin suites are a recent addition. Each minimalist, wood-lined cottage is available year-round — insulated for the cooler months, air-conditioned for the summer — and comes with a patio, fire pit, lofted queen bed, pullout couch and a private bathroom inside. For those of us who are desperate for a change of scenery but still have to work, each suite also offers a writer’s nook, complete with a desk, electric outlets and a floor-to-ceiling window. Starting at $429 per night, eastwindny.com.

Covet This

Partow’s Elegant and Minimalist Clothing

Left: the artist Shirin Neshat in the Greta sweater made of tissue-weight merino wool. Right: the model Alek Wek in an Italian cotton poplin shirt. Craig McDean

By Thessaly La Force

Nellie Partow launched her eponymous brand in 2011, offering luxurious handmade knits and elevated tailoring for a no-nonsense type of working woman. A graduate of Parsons School of Design — with stints working at Donna Karan, Calvin Klein and John Varvatos — Partow’s clothes embody a complex understanding of luxury that conveys both strength and maturity (it helps that she’s also a competitive boxer). Her latest campaign — photographed by a frequent T contributor, Craig McDean, and styled by Camilla Nickerson — is a celebration of the women who wear (and have modeled) her clothes: artists such as Shirin Neshat and Laurie Simmons; models such as Alek Wek and Sasha Pivovarova. “These women aren’t striving for this perfection,” explained Partow. “They are marching to their own beat, and there’s a real sense of individuality and tenacity to who they are.” The clothes are all part of her latest, 56-piece collection, which debuts this month at New York Fashion Week. Of note: a rust-colored cotton trench, artfully embellished with brushed leather. In a year when we have been forced to reconsider our relationship to fashion, Partow offers a hard-earned elegance and a minimalist sensibility worthy of our attention. partow.us.

From T’s Instagram

Christian Louboutin’s Paris Home

The lounge in Christian Louboutin’s Paris apartment, with a sofa and screens from Egypt.© Simon Watson

Throughout his career, Simon Watson (@simonpwatson) has brought his unique eye to crumbling castles, monastic apartments and everything in between. Christian Louboutin’s Paris home, shown above, is one of 20 spaces included in “The Lives of Others,” a new book of Watson’s pictures of interiors. Paging through, one immediately sees why the photographer is sought out by many magazines, including T. “Aesthetic beauty is what stirs me and what always will,” he says, adding, “I suppose because I grew up in Dublin, I had a natural affinity for the Georgian sensibility. I spent time living in old houses with crumbling plasterwork and broken floorboards.” Indeed, his photos are often of homes that wear their history on their sleeves. But the images’ ease and elegance stem from much more than the physical elements within the frame, however fine. Follow us on Instagram to go inside the book, out this month from Rizzoli.

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