2021年3月5日 星期五

The Daily: Sounds of a Pandemic Year

You told us what your new normal sounds like. Plus, we look back on a year of covering the coronavirus.

By Lauren Jackson

With so many people at home, we asked what new noises you have been hearing in your neighborhood.Tallulah Fontaine

Hi everyone, happy first week of March.

On this day last year, most of the world was still doing entirely normal things that, when remembered through the haze of lockdown, now feel both nostalgic and impossible. (I was schlepping groceries on London's cramped Central Line and sharing dessert forks at a birthday dinner.)

We didn't comprehend just how quickly nearly everything would change — including the sounds we hear every day. So to mark the first anniversary of the coronavirus being declared a global pandemic, we thought we'd take a moment to reflect on how our soundscapes have changed — and invite you to listen more closely to yours.

We asked you to share with us one noise that defined your pandemic year. This is what you said.

(These responses have been lightly edited for clarity and brevity.)

Changed streetscapes

People banging pans, hands clapping, shouting and singing the Italian national anthem at 6 p.m. Every day. — Pietro Gerosa, New York.

Birdsong and the silence that surrounded it. Hardly any cars on the street. Almost no planes in the sky. — Carolyn Polizzotto, Australia

The dreaded ambulance sirens. That haunting sound pierced our days and nights for months. We live a half block from a Central Park West through street to the East Side. The ambulances flew through the park, wailing and screaming their death call. — Naomi Serviss, New York

Around the house

Listen to this dispatch from our producer's kitchen.

My fridge humming. My world feels smaller and quieter, and this is an aural indicator of that. — Liz Macfie, London

The sound when someone joins Zoom. — Jake Blozan, California

My children interrupting me during a call. The most memorable was when my older daughter came in to yell that her sister "pooped again!" — Alison Umbarger, Georgia

The sounds of a new normal

Muffled voices behind masks. — Debbie Duncan, California

My name being announced and then ceremonial music rolling as I walked across the stage at my high school's drive-through graduation. — Kelby Beyer, Oregon

Soundscapes I found online transported me to Australian beaches, Japanese gardens and French Alps. — Martin Steinbereithner, Michigan

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Looking back on our year on The Daily

By Desiree Ibekwe

A man believed to be Hong Kong's first coronavirus patient being treated on Jan. 22, 2020.Lam Yik Fei for The New York Times

On Jan. 30, 2020, The Daily published its first episode about a novel coronavirus that had wound its way through China. By Feb. 27, we were reporting that the virus had spread to every continent except Antarctica — but we still wondered, "How threatening is the outbreak, really?"

Our answer came quickly. Within weeks, we were releasing special episodes to cover the escalating crisis in the United States and Western Europe. On one, Michael Barbaro said, "We're going to keep covering this pandemic until it's over," and writer Taffy Brodesser-Akner posited that we might have a few more weeks of quarantine. It's been a long road since.

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We've covered the science and the personal stories — the institutional responses and the individual resilience of people facing down bankruptcy, eviction and hospitalization. So to recap the year, we've compiled a list of some of our most memorable episodes from the past year. Take a look, and listen to our playlist of pandemic stories in case you missed any.

A Bit of Relief

Early in the crisis, we released a special afternoon series on The Daily, "A Bit of Relief," to help meet the need for levity during the crisis. We thought we'd continue the spirit of the series and share some of the music that has powered our team through the pandemic:

"During the pandemic I have rediscovered Florence and the Machine's debut album, 'Lungs.' It just reminds me of the period of time when I last obsessed over it — it was summer, I was able to move freely through a crowd of people without a second thought, and I wasn't old enough to have to pay rent yet. All the things I've recently fantasized about!" — Eric Krupke, Daily producer

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"There's the fake answer I could give to this question because of how I want to present my musical tastes and then there's the real one: For most of the pandemic, I listened to BTS, the K-pop group. When I worked out, when I went on walks, when I lacked energy, when I needed to get myself through a tough edit, you name it. They are indefatigably positive and upbeat, and isn't that what all of us need these days?" — Anita Badejo, a senior editor based in London

"I've been listening to a lot of Sophie and her related projects ever since her death. My favorite song of hers is 'It's Okay to Cry.' It's an anthem of self-acceptance and the power of emotional connection. I religiously listen to it after therapy, it's that sort of song." — Soraya Shockley, a narrative audio producer

Also, if you're looking for something to read, check out "Between Two Kingdoms," by Suleika Jaouad, described on an episode of The Book Review as a book about illness — but without the platitudes.

On The Daily this week

Monday: The aftermath of the Texas winter storm told through the stories of three mothers.

Tuesday: The shape of and the debates around the Biden administration's $1.9 trillion stimulus bill.

Wednesday: How Bill Gates is changing the way the world is vaccinated and, potentially, the course of the pandemic.

Thursday: An update on the state of the pandemic: rising concern about variants and the approval of the Johnson & Johnson vaccine.

Friday: In the first of two parts about what we're learning about the Biden presidency, we look at his approach to Saudi Arabia.

That's it for The Daily newsletter. See you next week.

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On Tech: Sports are the internet’s secret key

Plus, who wins the internet: pros or amateurs?

Sports are the internet's secret key

Illustration by Scott Gelber; photograph by Tom Brenner/The New York Times

Sports, especially the National Football League, are instrumental to charting the future of entertainment on the internet.

Maybe you think that's nuts. But Edmund Lee, a New York Times media reporter, said we should pay attention to current negotiations over where Americans will watch football games in coming years. They may determine which television companies thrive in the digital age, and offer a glimpse at what types of programming will dominate our favorite websites.

To conventional television companies like Disney and CBS, the N.F.L. is essential to prevent TV viewership from shrinking too quickly and to support their future in streaming. And internet stars like Amazon and Facebook might — maybe? — want big ticket sports for themselves.

Shira: Why is the N.F.L. so important?

Ed: Fewer Americans are watching sports, but football is still by far the most popular TV programming. The N.F.L. needs TV, and TV network owners need the N.F.L. And whether you watch football or not, the billions of dollars that the TV networks pay for the N.F.L. translates into higher bills for cable or satellite television or online TV packages such as YouTube TV.

The TV networks hate paying so much to air the N.F.L. to shrinking audiences. But you say they're going to pay maybe twice as much in the next contract. Why?

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It's a complicated dance. Disney, Fox, CBS, NBC and others are trying to become streaming video companies. But they're still losing money on streaming and making billions of dollars of profit from conventional TV.

If TV networks can make N.F.L. games available to watch on TV and on their streaming services, they hope viewers will stay glued to TV and get pulled into streaming services.

Are you saying that sports, and especially the N.F.L., are key to whether entertainment companies live or die?

Pretty much! I'll give you a personal example. English Premier League soccer matches are one of the few things I consistently watch on Peacock, NBC's streaming video service. Sports, particularly live sports and most of all the N.F.L., are still a huge draw. The entertainment companies that have must-watch programming will be the ones that make the transition to streaming.

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There are billions of people on YouTube and Facebook. Why aren't big sports like the Olympics, European soccer and the N.F.L. there?

There have been experiments. Facebook has live streamed some professional baseball games and Indian cricket matches. Amazon's Prime Video streams a handful of N.F.L. games on Thursdays, and it seems Amazon is willing to pay for more games.

But the reality is, sports on those big websites are just one piece of programming in an ocean. When games are on these big tech websites, fewer people watch.

Why?

Maybe people aren't in the habit of watching sports there. When an N.F.L. game is broadcast at the same time on Amazon Prime Video and on cable TV, many millions of people watch on TV but only a few hundred thousand on Amazon.

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I've been surprised that sporting events on Amazon or Facebook aren't very internet-like. It's mostly the same as a TV broadcast.

Watch what the National Basketball Association does. It has started to incorporate digital features into the N.B.A. app like statistics that pop up in games and choices of camera angles. The internet-ification of sports isn't there yet. But whatever the N.B.A. does will likely be widely copied.

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Who wins the internet: pros or amateurs?

One point that Ed made in our conversation is that Facebook has had a change of heart about the wisdom of veering into the lane of Netflix or Disney and paying top dollar to host professional entertainment such as the very popular N.F.L. games.

For Facebook, why pay billions a year for football or Martin Scorsese movies? The company is already getting us to spend hours surfing its news feed and Instagram, with posts and videos that we mostly make for free.

But I should mention that Facebook was eager to grab for live sports until relatively recently. Maybe the company will change its mind. Again.

This has been one of the original questions about leisure time on the internet: Will professionally made entertainment, including sports, win, or will the websites and apps filled with amateurs?

The reality is probably that a mix of both will rule the internet, but it's a fun question to explore.

There are two basic paths for the online video hangouts that we love. Some of them are mostly drawing people with stuff that regular people make — think TikTok, Facebook and YouTube.

Others like Netflix and the streaming video services from the big television entertainment companies are offering the same as the manicured programming you see on TV.

These two paths do blur. Professional internet stars make some of the most popular stuff on sites like YouTube. Facebook pays for video programming on its TV-like hub called Watch.

A big advantage of the amateur path is that, well, it's cheap. TikTok and Facebook aren't paying anything for most of the videos or posts that we spend hours surfing. YouTube does split the advertising money it makes with many people who create videos, but it isn't handing over Scorsese-type money for PewDiePie to be a star.

But at the same time, Ed said, the internet companies are seeing the merits of professionally created entertainment. Netflix and HBO Max aren't worried about QAnon conspiracy theories going viral, because the companies control everything that appears on their streaming services. The downside is that it costs a lot. The upside is it generates fewer horror shows.

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Before we go …

  • The ripple effects of Amazon's pay practices: The company's decision to increase employees' starting pay to $15 an hour appears to have pushed up wages paid by other companies near Amazon locations, my colleagues Ben Casselman and Jim Tankersley reported.
  • The online aftermath of the coup: Reuters reported that Myanmar soldiers and police officers are using TikTok to threaten violence against protesters opposing the recent coup. The app's usage in Myanmar sharply increased after the military blocked Facebook. And YouTube followed Facebook in removing video channels run by Myanmar's military, my colleague Paul Mozur reported.
  • They want to share the riches: My colleague Taylor Lorenz wrote about a newly created collective for people who are big draws on audio chat room apps like Clubhouse. They want to lobby the company for stronger oversight of the apps and more ways for them to turn their popularity into income.Related: Vulture has a fascinating article about Trisha Paytas, a YouTube celebrity whose genius is, essentially, being charismatic and courting controversy. (Be aware that the article contains photos that may not be safe for work or small children.)

Hugs to this

Look at the newborn gorilla at a zoo in Berlin!

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