2021年5月20日 星期四

On Tech: An old conflict with digital twists

How the latest violence between Israelis and Palestinians encapsulates the best and worst of digital life.

An old conflict with digital twists

Daniel Zender

My colleague Sheera Frenkel has a unique perspective on what happens when the modern mechanics of the internet combine with an old conflict.

She reported from the Middle East for years, and now is assessing the influence of technology on the recent escalation of violence between Israelis and Palestinian citizens of Israel.

Sheera this week reported on Israeli extremists organizing mob attacks on WhatsApp in novel and scary ways, and she wrote about false online claims and conspiracies that inflamed tensions. But the same social media and communications tools that some people have used as weapons are also giving people caught up in the violence a voice to share their experiences.

The latest Israeli-Palestinian conflict encapsulates the best and worst of digital life, and Sheera talked to me about the complexities.

Shira: What did you find unusual about the WhatsApp groups of Israeli extremists organizing violence against Palestinians?

Sheera: I was caught by surprise at just how explicit people were. They were doing things like setting a time and place to smash windows of Palestinian-owned businesses and coordinating to make sure they weren't targeting Israeli businesses by mistake.

Explicitly calling for violence against individuals tends to be a red line for Facebook, which owns WhatsApp, and other technology companies. They make a distinction between posting something general like "death to all men" and openly directing attacks against certain people.

How does this compare to other extremist violence online?

What I saw in the Israeli WhatsApp groups was a notch different from what we've seen in India or Myanmar or at the Capitol riot in January where people spread hate or misinformation online, but it wasn't targeted at individuals or businesses. I and people who study misinformation had never seen organized violence on social media or communications apps in quite this way.

Did you find extremist Palestinians using WhatsApp to organize their attacks, too?

There has been Palestinian violence against Israelis, but we didn't find online mobilization in the same way. One Israeli official told me, in dark humor, that there is so much surveillance of Palestinians by the Israeli police and security forces that WhatsApp mobs would be found before they had a single member.

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Who deserves blame? Are tech companies responsible for WhatsApp mobs and for false online claims that inflamed tensions between Israelis and Palestinians? Or are humans at fault?

Renée DiResta, a misinformation researcher, talks about human bias or fallacy as a foundation for false online narratives. While technology companies facilitate this, misinformation about this conflict and others take hold because people in positions of power on both sides share, endorse and accelerate ideas that denigrate people.

Many of my Palestinian and Israeli friends have been shocked by the violence that's happening among friends and neighbors. But humans are responsible for the hatred, and so are politicians who fail to effectively stop extremists from carrying out violence.

I expected you to blame Facebook and other tech companies more.

I mostly agree with tech companies' statements that technology is agnostic. It's not created to hurt people. And I'll give WhatsApp credit for taking measures like restricting how many times messages can be forwarded. That's a first step to keep misinformation and mob violence from spreading further and faster.

I feel like there's a "but" coming.

There is. Researchers and journalists find that we wind up being free research arms for Facebook and other rich companies. We find misinformation, hate speech and violent mobs organizing on their services. The company could have gone out and proactively looked for and found these extremist WhatsApp mobs, the way that I did.

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Compared with the prior violence that you've covered in the region, does it feel like social media is helping the world witness and understand what's happening?

At its best, social media gives us a window on the lives of other people and in their own voices. I saw that in Gaza in 2014 and again during the last two weeks with posts and videos that make you feel what it's like to be a Palestinian or an Israeli hiding from airstrikes or rockets.

It is helping the world understand, but I wonder if these people posting on social are sometimes speaking past one another. Palestinians mostly aren't making videos that are intended to show Israelis what their lives are like, and the same for Israelis. These people in close geographic proximity to each other largely aren't watching each other's lives.

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Before we go …

  • Maybe companies don't need to know everything about our lives to sell us cookware? About 94 percent of iPhone users in the United States have said no to being tracked across apps. Greg Bensinger, a member of The New York Times editorial board, says that advertising tailored to our online activities is both unwelcome and potentially a waste of money.
  • America is exporting vaccine misinformation: Misleading information about coronavirus vaccines that internet companies have blocked or flagged in the United States is now circulating in languages other than English, Bloomberg News reported (subscription may be required). It's a longstanding issue that social media sites are less capable of spotting sometimes dangerous information outside the United States or other rich countries.
  • Is that smartwatch good for your health? Body-worn gadgets that monitor people's heart rhythms sometimes detect potential cardiac dangers. But they can also mistakenly warn people that something is wrong, and doctors aren't sure whether they do more good than harm, Dr. Randi Hutter Epstein wrote for The New York Times.

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2021年5月19日 星期三

The T List: Five things we recommend this week

Phoebe Boswell's latest exhibition, an Ayurvedic spa in Santa Monica — and more.

Welcome to the T List, a newsletter from the editors of T Magazine. Each week, we share things we're eating, wearing, listening to or coveting now. Sign up here to find us in your inbox every Wednesday. And you can always reach us at tlist@nytimes.com.

BOOK THIS

An Ayurvedic Spa Along the California Coast

Left: a Surya treatment room, inspired by traditional Indian architecture. Right: a wall of 300 Ayurvedic herbs.The Ingalls

By Molly Creeden

T Contributor

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When the Proper Hotel opened in Santa Monica, Calif., in 2019, its mix-and-match furnishings and earthy tones, by Los Angeles-based interior designer Kelly Wearstler, underscored a sense of relaxed sophistication. Now, in collaboration with Martha Soffer, founder of the wellness brand Surya, the property has debuted its 3,000-square-foot flagship Ayurvedic spa. The addition comprises six serene treatment rooms, each painted in hues that correspond to the body's three doshas (or energies): There's vata (yellow), believed to govern the body's physical and mental activity; pitta (blue), digestion and metabolism; and kapha (red), the immune system. Appointments begin with a pulse reading to determine a client's dominant dosha, after which treatment plans — including massages, meditation sessions and other therapeutic practices — aim to restore harmony to the mind, body and spirit. Among the spa's many offerings is the panchakarma, a series of detoxifying meals and treatments, the latter of which last four hours a day, and can be booked for up to 28 consecutive days. The package includes abhyanga, a hot oil massage in which four hands work in perfect choreography to soothe tension and leave skin looking youthful, and shirodara, in which herbalized oil infusions are poured in a gentle stream over the forehead. For guests who may have less time to spare, Ayurvedic scrubs, steams and deep-tissue massages are also offered. "This is part of my dharma," says Soffer. "It's what I love doing." properhotel.com.

TRY THIS

New Single-Origin Spices From Diaspora Co.

From left: Diaspora Co.'s wild ajwain, byadgi chili and wild heimang sumac.Product photos: Melati Citrawireja

By Thessaly La Force

Two years ago, I wrote about Diaspora Co., an Oakland, Calif.-based direct-to-consumer company founded by Sana Javeri Kadri, who wanted to shake up the spice trade after realizing that spices could be given the single-origin treatment in the same way as coffee or chocolate. Her first offering — a potent, earthy turmeric — was a hit. Today, Diaspora now carries over 15 different spices, ethically sourced from either India or Sri Lanka, and offers their farmers at least double to six times the commodity price (they're also aiming to provide health insurance to all of their farming partners by the end of the year). Launching today are three new spices, including a wild heimang sumac, which Javeri Kadri discovered through Hill Wild, who sourced the berry from farmers living in the Manipuri village of Ningthi, just east of the Burmese border. "It has these black tea notes," says Javeri Kadri. "It's sour, a little bitter and wonderfully complex." Sumac is ideal for everything from mussakhan, a Palestinian-style roast chicken with caramelized onions, to dusting atop your avocado toast. While you're at it, try Diaspora's new wild ajwain (otherwise known as carom seeds, which have well-known health benefits) or byadgi chili, which is "more for color or sweetness than heat," says Javeri Kadri, who suggests treating it almost like a paprika. And if you're in need of cooking inspiration, Diaspora now also features recipes, from a massaman curry to strawberry crumble cardamom bars. From $12, diasporaco.com.

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SEE THIS

The Work of Phoebe Boswell, Made in Lockdown

Left: Phoebe Boswell's "Notes on a Lockdown: Ever Present Danger" (2021). Right: "Notes on a Lockdown: I Just Want to Be Touched Again (After 'Isolation Fascination,' 2020 #elizabethilsey Via @jerrysaltz via @girlsonprn)" (2021).Courtesy of the artist and Sapar Contemporary

By Will Fenstermaker

T Contributor

Before the pandemic, the London-based Kenyan artist Phoebe Boswell spent much of her time drawing portraits of fishermen who, within her body of work, represent the fictional ancestors of a futuristic utopia located off the coast of Zanzibar, once Africa's largest eastern slave port. "I was thinking about how difficult it is to imagine the future," she says, "to imagine freedom. We're so confined to our own lived experience." As the world went into lockdown last year, Boswell — who is at risk for severe illness from Covid-19 — found herself wrestling with an uncertain, and unknowable, future. To cope, she began drawing self-portraits and other works based on images she either posted to or saw on social media, as well as painting vignettes of scenes taken from her walks to and from her studio, documenting her time in isolation. "Still Life: A Taxonomy of Being," on view at New York City's Sapar Contemporary through June 12, compiles all 49 of these works. In one, Boswell sketches an image that was originally posted to Instagram by the art critic Jerry Saltz of two people embracing with the words "I just want to be touched again." In another, a yellow electrical box, rendered in watercolor, contains a label reading "Ever Present Danger." And a video titled "Notes on a Pandemic" (2021) plays sounds of heavy breathing and coughing, yet another marker of this long, harrowing year. "Still Life: A Taxonomy of Being" is on view through June 12 at Sapar Contemporary, 9 North Moore Street, New York, N.Y. 10013, saparcontemporary.com.

BUY THIS

Ulla Johnson's Debut Swimwear Collection

A look from Ulla Johnson's 2021 swim collection.Courtesy of Ulla Johnson

By Alexa Brazilian

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This week, the New York-based fashion designer Ulla Johnson is taking her signature earthy prints and breezy bohemian vibe to the beach with the launch of her first line of swimwear, cover-ups and warm-weather accessories. There's a maillot-style suit with string-thin straps that delicately crisscross at the back, a flossy bikini and a one-strap two-piece with high-waisted bottoms, among others. All of the pieces come in a series of tie-dye and in-house prints culled from the designer's pre-fall ready-to-wear-collection inspired by Japanese Komon kimono fabrics, which are known for their fine patterns. To match, there are sarong skirts and light cotton cover-ups along with natural-toned platform espadrilles, a straw tote with hand-braided leather handles and a bottle-shaped basket bag made for carrying your sundowner of choice. From $110, ullajohnson.com.

COVET THIS

Wooden Housewares by Korean Artisans

Left: the artist Choi Sung Woo's hand-carved Ginkgo Leaf servers. Right: Kim Min Wook's Fluted Persimmon Tree vase.Drew Escriva

By Natalia Rachlin

T Contributor

The idea for Namu Home Goods, a new line that sells handcrafted woodwork by artisans from Korea, came to the Los Angeles-based entrepreneur Diana Ryu while she was lying on an acupuncturist's bed, with needles scattered across her face and body. "The art world in America is a Eurocentric space," she says, "and so is home décor." Determined to change that, Ryu launched Namu, which means "tree" in Korean, late last month with a range of elegant, one-of-a-kind offerings, from moon jars to charred-oak plates to tiny two-pronged forks. Notable pieces include artist Choi Sung Woo's delicate Ginkgo Leaf servers, a pair of hand-carved spoons made from Korean birch whose spindly handles lead to a wider surface that resembles the namesake plant. Then there's Kim Min Wook's sculptural fluted vase, the vessel's form made from the wood of a persimmon tree. Meanwhile, a series of small, footed dishes carved out of black walnut by the craftsman Heum Namkung are minimalist, austere but also playful. Though wood remains a central tenet of the brand, Ryu's next project, a collaboration with her husband, the artist and actor Joseph Lee, is a limited-edition print of a solitary branch in hues of umber and putty. namuhomegoods.com.

FROM T'S INSTAGRAM

Pierre Yovanovitch's Foray Into Furniture Design

Pierre Yovanovitch's Flint armchair and Flare floor lamp. Giulio Ghirardi

The French interior architect Pierre Yovanovitch founded his design practice in 2001 and has been creating elegant environments inspired by nature ever since. Now, after years of designing bespoke pieces for various interior projects, he's unveiling a furniture line, Pierre Yovanovitch Mobilier. Consisting of 45 pieces, including lighting and accessories, that incorporate silk, hemp, mohair and draw on the designer's roots in Provence, the inaugural collection will be on display starting tomorrow in the historic Académie de l'Architecture building in Paris's Place des Vosges. To see more from the collection, visit us on Instagram.

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