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A Beloved Boutique Hotel in Marrakesh Expands |
 | | El Fenn's Colonnade courtyard, one of the hotel's new areas that opened to guests earlier this year.Cécile Treal |
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By Isaiah Freeman-Schub T Contributor |
Nearly 20 years ago, while in search of a small holiday home to share, Vanessa Branson and her friend and business partner, Howell James, agreed to purchase a 19th-century riad in Marrakesh's medina. Having seen the property at night, they didn't notice that it also included several smaller houses; in light of the scope of the place, they decided to renovate and turn it into a boutique hotel. El Fenn, with its jewel-toned lime tadelakt plaster walls and maze of courtyards, has been beloved ever since. Last year, the hotel's owners, along with a large team of local artisans, made the most of their pandemic-induced closure by refreshing things once again, this time with an expansion that included the addition of four spacious suites, with floors covered in stitched leather panels, and an open-air bar tucked behind a ground-floor colonnade. There's also a new chaise longue-filled terrace pool area, which offers a chance to cool off — with views of the Koutoubia Mosque and the Atlas Mountains beyond. el-fenn.com. |
 | | From left: Ganni crinkled satin dress, $265, ganni.com, Rosetta Getty paisley scarf shirtdress, $1,190, saksfifthavenue.com, Rentrayage kimono wrap dress, $950, rentrayage.com, Proenza Schouler yellow multiswirl-print jersey shirtdress, $1,690, proenzaschouler.com, Ulla Johnson Annalisa gown in Night Sky, $995, ullajohnson.com.Courtesy of the brands |
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As summer shades into fall, a lightweight dress becomes de rigueur, whether worn on its own or with a sweater. Copenhagen brand Ganni's crinkled satin dress, intentionally wrinkled and with a scooped, low back, is perfect for a weekend getaway. The balloon-sleeved, bow-bedizened Annalisa gown from Ulla Johnson pairs nicely with sandals or boots. Proenza Schouler's swirl-print jersey shirtdress can be worn loose or with a cinched-in waist — the soft jersey smock is ultracomfortable and makes a perfect statement piece after months of loungewear. The scarf tossed across the shoulders of Rosetta Getty's paisley scarf shirtdress, along with the belted waist, gives it a fully styled feeling with minimal effort. Finally, Rentrayage, designer Erin Beatty's sustainable label, uses dead stock and upcycled vintage fabric to create unique pieces that are conversation starters, including her pinstriped kimono wrap dress. |
 | | Left: the Makers Series by Casa Bosques' packaging highlights the legacy of Black artists who used quilts as a medium. Right: the latest chocolate features chamomile blossoms, ginger and bay leaf and was created via a collaboration with Brooklyn-based chef DeVonn Francis. Adrianna Glaviano |
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By Korsha Wilson T Contributor |
While visiting New York in 2010, Mexico City-based designer Rafael Prieto wondered why the artisanal-chocolate market was dominated by Swiss and Belgian brands given Mexico's proximity and deep cultural connections to chocolate. "I wanted Mexican chocolate to have that same moment," he says. The following year he founded Casa Bosques, a boutique small-batch chocolate company focusing on Mexican-style chocolate. Since then Casa Bosques has released several distinct bars in collaboration with artists, chefs and creatives, offering highly textured yet smooth chocolate infused with herbs, fruits and spices. This month, Casa Bosques is shining a light on Black artists with its Makers Series, a collaboration between Prieto, designer Rafael de Cárdenas and Brooklyn-based artist and chef DeVonn Francis. Francis's custom bar is an amalgam of dark chocolate, ginger, crushed bay leaf and a sprinkling of chamomile flowers. "I wanted to think about my Jamaican heritage and make it feel like the tea my mom and grandmother grew up drinking," he says. Cárdenas designed the bar's packaging to honor Black quilting artists, and all profits will be donated to the Okra Project, which offers home-cooked meals to Black trans individuals in New York City. casabosques.co. |
A Portraitist Turns to Nature |
 | | Julia Felsenthal's "Big Gulp" (2021).Courtesy of Julia Felsenthal |
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Julia Felsenthal had always put her writing — for magazines including T — before her painting. Then the pandemic hit and she found herself without many freelance assignments but, because she spends much of her time on Cape Cod, with the ocean close at hand. It was a chance for the artist, who felt more comfortable with portraiture, to try her hand at landscape painting. She started by taking hundreds of pictures while walking her dog along Nauset Light Beach, then choosing a few to reference as she began to layer watercolor and gouache back in her studio. "I really had to figure out how water works," she says, "paying attention to what's on the surface and what's underneath." That the ocean is, as she puts it, "a mercurial and infinitely complicated thing" dovetailed nicely with the tumultuousness of her emotions at the time. In one of the works, 22 of which are on view at Garvey Rita Art & Antiques in Orleans, Mass., bottle-green waves roll in beneath an ominous gray sky. In another, the water is calm and clear and seems to beckon, as if wading into its light-dappled shallows might wash away one's troubles. A portion of the proceeds from "Salt Water," which is on view through Sept. 11, will go to the Sipson Island Trust. garveyrita.com. |
Introducing the Furry Huarache |
 | | A selection of styles available from Huaraches.Courtesy of Huaraches |
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By Max Pearl T Contributor |
One day in 2017, as designer and Mexico City native Elise Durbecq was tooling around Oaxaca, a region known for its huaraches (among many other things), she encountered a sheep herder selling lamb pelts, a not uncommon sight in the Mexican countryside. Durbecq began to wonder why she'd never seen lambskin used in footwear, and before she knew it, a brand was born: Huaraches, limited-edition sandals made with wildly tousled sheepskin pelts, produced in family-owned and -operated workshops in the mountains of southern Oaxaca. "The first four pairs were so fun and wild-looking," she says. "I was stopped on every corner and asked about my shoes." The extra-durable soles are made from used tires — the same design used by agave harvesters to avoid getting poked by thorns — and the pelts come in riotous colors made with natural dyes. Crucial to Durbecq's regional partnerships is "economic inclusivity": "As a rule, the artisan making the huarache always receives more of the proceeds per pair than myself," she says. From $165, huarach.es. |
A Weekend House Pays Tribute to Brazilian Modernism |
 | | Vila Rica consists of two low-slung pavilions of concrete and brick set in a landscape of grasses, brush and gnarled flowering trees indigenous to the area.Joana França |
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When Ilka Teodoro and her husband, Andre Venancio, decided in 2014 to build a weekend house on five acres of former pastureland outside Sobradinho in Brazil, they knew, she says, "that we wanted it connected to the Cerrado and to Brasília, to the architecture of the city and its landscape." To build the home, which the couple named Vila Rica, they commissioned Bloco Arquitetos, a Brasília-based firm founded in 2008 by Henrique Coutinho, Matheus Seco and Daniel Mangabeira, who met as architecture students at the University of Brasília. In the last decade, Bloco has made a name for itself designing restaurants, shops and private houses in the surrounding suburbs, the latter mostly composed of luminous white volumes raised against the blue scrim of the sky: geometric voids inspired by contemporary Portuguese architects like Álvaro Siza and Manuel Aires Mateus. According to Seco, whose family moved from Rio to Brasília when he was a child, the name of their firm references that shared aesthetic: In Portuguese, "a bloco can mean a concrete or ceramic brick — a basic element of construction," he says, but in Brasília, the word "bloco" also refers to the residential buildings that form the city's lived space, in contrast to Oscar Niemeyer's ethereal monuments. For this project, though, Teodoro and the architects wanted to create something that would pay homage not only to Brasília but to the native countryside from which it was born. To read Michael Snyder's full piece, visit tmagazine.com — and follow us on Instagram. |
Correction: Last week's newsletter misstated the starting price of MAS handbags. It is $675, not $845. |
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