2022年7月6日 星期三

The T List: Five things we recommend this week

A culinary farm stay in the Berkshires, zoological rugs — and more.

Welcome to the T List, a newsletter from the editors of T Magazine. Each week, we share things we're eating, wearing, listening to or coveting now. Sign up here to find us in your inbox every Wednesday. And you can always reach us at tlist@nytimes.com.

STEP BY STEP

The Chef Daniela Soto-Innes's Beauty Regimen

Left: Daniela Soto-Innes. Right, clockwise from top left: La Prairie White Caviar Crème Extraordinaire, $800, laprairie.com; Ceremonia Mascarilla de Babassu, $25, ceremonia.com; Milk Makeup Lip + Cheek in Werk, $21, milkmakeup.com; Avène Thermal Spring Water, $9, aveneusa.com; Youth to the People Yerba Mate Resurfacing Energy Facial, $54, youthtothepeople.com; and Ilia Limitless Lash Mascara, $28, iliabeauty.com.Left: Cole Wilson for The New York Times; Right: courtesy of the brands
Author Headshot

Interview by Caitie Kelly

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I use this amazing creamy cleanser from La Prairie in the morning, followed by White Caviar Illuminating Pearl Infusion, Eye Cream and Cream from the same line. When I'm in Mexico, I have really dry skin so, throughout the day, I will use Avène's Thermal Spring Water spray over my face and olive oil that I get in Italy on my lips. To exfoliate, I'll occasionally use the Yerba Mate Resurfacing Energy Facial from Youth to the People and Dr. Dennis Gross's Universal Daily Peels. I wear La Prairie's Skin Caviar Complexion Essence-in-Foundation in shade honey beige because it still looks like my skin and feels so light. If I'm going out to an event, I'll use Ilia Limitless Lash Mascara, Milk Makeup Lip + Cheek Cream Blush in Werk and Laura Mercier Translucent Loose Setting Powder in Medium/Deep over my foundation. My lashes aren't curly at all, so getting eyelash lifts has been life changing — I go to Yoli Cotray in New York. For my hair, I mostly use Ceremonia products. To wash and condition, I have Champú de Yucca & Witch Hazel, Acondicionador de Cupuaçu & Castor, Papaya Scalp Scrub and Mascarilla de Babassu and, to detangle, the Guava Rescue Spray. They are really affordable, and the brand is Latina owned, which I love. For a long time, I used Aesop's body washes, but then someone told me that she used Aesop's Animal Wash; it's really gentle on sensitive skin and feels so clean. I think I've converted 20 people to that. For fragrance, I will light Palo Santo and infuse it in olive oil to use as a perfume. It doesn't compete with other smells when I'm cooking, and it reminds me of Coyoacán in Mexico City, where I grew up.

This interview has been edited and condensed.

CONSIDER THIS

Jewelry Inspired by a Brazilian Painter

Left: Tarsila do Amaral's "Urutu" (1928). Right: Sauer ivory-quartz-and-yellow-gold Urutu necklace, price on request, modaoperandi.com and sauer1941.com.Courtesy of Sauer

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When the jewelry brand Sauer's creative director, Stephanie Wenk, visited New York's Museum of Modern Art in 2018 for "Tarsila do Amaral: Inventing Modern Art in Brazil," she was thrilled. "To see a Brazilian woman artist receiving that recognition was so important to me," says Wenk. Do Amaral studied art, most notably Cubism, in Paris in the 1920s before returning to her home country and becoming one of the most important figures in Brazilian Modernism. "She did not surrender to the conventions of the time and was really a feminist," says Wenk, who could not have imagined that, three years after viewing that show, the artist's family would approach her Rio de Janeiro-based brand to ask if they could collaborate on a collection. Sauer, a favorite of local curators, gallerists and artists, crafts its jewelry mostly using stones native to Brazil; in this case, whimsical shapes were carved from colorful emerald, tourmaline, amazonite and jade inspired by the flora and fauna found in work from do Amaral's Surrealist Anthropophagy period, which was influenced by and named for her first husband, the Brazilian poet Oswald de Andrade's, philosophy of "cultural cannibalism." The 29-piece collection, which includes rings and bracelets, launches on Moda Operandi for U.S.-based shoppers this week. Prices on request, modaoperandi.com.

BUY THIS

Turtles and Tigers and Snails, in Rug Form

Adam Charlap Hyman's designs for Schumacher are rendered in hand-coiled abacá.Adrien Dirand

When a rug conceived by the interior designer Adam Charlap Hyman caught the eye of Dara Caponigro, the creative director of the storied interiors company Schumacher, she immediately asked to meet him. Over lunch, the pair bonded over their shared love of Surrealism, wallpaper and the sculptures of the artist François-Xavier Lalanne. They also pored over various fabrics that Charlap Hyman had designed, and drawings he'd created with his mother, the painter Pilar Almon, and had thought to bring along. Thus, Charlap Hyman's first collection of rugs and fabrics was born. Inspired by the line work in Alexander Calder's rugs, Charlap Hyman chose to render his in the same material, abacá. That first offering, which came out in 2018, included astrological motifs and arrows, but the styles that really struck a chord depicted snakes, alligators and crocodiles. For his recently released second collaboration with the brand, Charlap Hyman continued his exploration of zoological forms, creating rugs in the shapes of a turtle, a whale, a snail, a tiger and fish. Plenty of other realms of the animal kingdom remain untapped, of course, but Charlap Hyman is undaunted. "We have found a path that is infinite," he says. From $400, fschumacher.com.

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VISIT THIS

An Instructional Farm Stay in the Berkshires

Left: a bookshelf in Husky Meadows Farm's communal sitting room. Right: the property's spacious bedrooms were designed by the local architect Kate Briggs Johnson.Left: Winter Caplanson. Right: Lisa Vollmer

By Cathy Erway

T Contributor

Local legend has it that the land that Husky Meadows Farm now occupies in Norfolk, Conn., once held a homestead where, whenever they dropped by, neighbors could expect a slice of apple pie. The current owners, David Low and Dominique Lahaussois, are continuing that community-minded philosophy with Seed and Spoon, an organization that offers a series of culinary farm stays. Guests can expect a seasonal cocktail upon arrival, followed by a four-course dinner prepared by Husky Meadows' culinary director, Tracy Hayhurst, formerly of the nonprofit dining series Plantin' Seeds. (A recent menu included fresh-trimmed lettuces from the greenhouse with whipped feta, halibut with foraged ramps and beurre blanc and a maple chess pie, all paired with French wines from the cellar.) The next day offers a crash course on regenerative farming from the property's manager, Adam Buggy, a tour of the wood-grown shiitake mushrooms and a cooking class in which the aim is to prepare a meal designed around the day's harvest. With only five guest suites, each tastefully designed by the local architect Kate Briggs Johnson, it's an intimate experience that mimics a visit to a friend's country home, only with better food. From $1,000, seedandspoon.com.

WEAR THIS

Tennis Whites With a Twist

Looks from the Alex Eagle Sporting Club collection, including the Tennis T-Shirt and Campden Hill Shorts (left) and Campden Hill Skirt, Cashmere Cricket Jumper and Ribbed Tennis Socks (right).Diana Bartlett

By Megan O'Sullivan

T Contributor

The British creative director and designer Alex Eagle grew up playing tennis and has fond memories of rallying with friends — and of what everyone wore. "It almost felt ceremonious to get dressed in our whites and come together on court," she says. The former editor and vintage curator founded her namesake brand, which includes women's wear and home accessories, in 2014. Since then, it's expanded to include Alex Eagle Sporting Club, a collection of stylish sportswear meant for on and off the court. The Sporting Club's latest launch, the Tennis Drop, features unbranded pieces with 1970s-leaning silhouettes that are made entirely in England from Italian cotton. See the Campden Hill Dress, a tailored minidress with a pleated skirt and square neckline, and the Berwick Crewneck Jumper, a sporty second layer complete with ribbed cuffs. When coming up with these styles, Eagle looked to the vintage sports books she's found at flea markets and men's wear references from the '60s, and tried to think about what was missing in her own wardrobe. "I've been on the hunt for the right tennis clothes — elevated garments with no logo, pieces I can throw a jumper over and wear after playing — for years," Eagle says. "I would love to tell my 14-year-old self doodling tennis outfits on the backs of my school books that this happened." From $30, alexeaglesportingclub.com.

FROM T'S INSTAGRAM

Contemporary Authors on Their Favorite New York City Novels

Illustration by Isabella Cotier

Last week, in the wake of our most recent T25 project, we published a list of New York City novels recommended by authors who have themselves written fiction set in the city. Bret Easton Ellis chose "The Bonfire of the Vanities" (1987) by Tom Wolfe: "The central New York novel of the 1980s, capturing the zeitgeist of that moment unlike anything else: glamorous, brash, over-the-top," he wrote. "A vibrant, multilevel satire with an all-encompassing scope. One of the great portrayals of the city as seen from an insider — only Edith Wharton tops Wolfe here." Read more of the authors' picks at tmagazine.com, and follow us on Instagram.

Correction: Last week's newsletter misidentified the person standing at the center of the At.Kollektive group photo. It is Panos Mytaros, the chief executive officer of Ecco Group, not Bernard Dubois. The newsletter also misstated whose gallery space is in Copenhagen, it is At.Kollektive's, not Ecco's.

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2022年7月1日 星期五

The Daily: What’s Next for the Climate Movement?

Al Gore weighs in.

Welcome to the weekend. It was a big week for the climate movement — in its latest major ruling, the Supreme Court made it harder for America to fight the climate crisis.

Yesterday's decision limits the Environmental Protection Agency's ability to regulate carbon emissions from power plants — which, as you heard on the show, is a blow to the Biden administration's commitment to reduce emissions by 2030. So we wanted to ask someone with experience in both climate action and federal policymaking: Where does the climate movement go next?

Below, Al Gore, the former vice president turned climate activist, shares his thoughts. Then, we share some of the highlights from our recent climate coverage on the show and from The New York Times climate conference, happening now in London.

The big idea: Where does the climate movement go next?

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Al Gore, the 45th vice president of the United States, in 2019.Fabrice Coffrini/AFP, via Getty Images

This conversation has been lightly edited for clarity and brevity.

The Supreme Court just ruled against the Environmental Protection Agency's regulatory power, making it harder for the U.S. to meet its climate commitments by 2030. What should be done now to ensure federal progress on emissions reduction?

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While this ruling curtails some of the E.P.A.'s authority, it does not mean we are out of options to address the climate crisis. There is more we can — and must — do. It is more important than ever for Congress to take action on this issue.

But the climate crisis is not a challenge that only the federal government must work to address. West Virginia v. Environmental Protection Agency was a case brought against the federal government by states in which the fossil fuel lobby still maintains significant power. The climate movement has important work to do at the federal level, but we can't ignore how important states and local governments are in driving and blocking climate progress.

In light of the ruling, where should the energy of the climate movement be focused next?

We need to encourage state and local governments to redouble their efforts to reduce emissions, and we also need to see the private sector step up and match their climate pledges with action. They played a critical role in advancing progress on the climate crisis when action was stalled under the previous administration.

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This decade is critical for climate action and we need all hands on deck to address this crisis. That means calling on Congress to pass ambitious climate legislation this summer. It also means we need to make sure that anyone who is frustrated with the slow pace of climate action gets out to vote in this year's midterm election.

You've written, "To address the climate crisis, we must address the democracy crisis." Is American democracy in crisis? How do you propose we surmount congressional gridlock that obstructs climate action?

We are facing a crisis of American democracy, one that stretches far beyond our ability to confront the climate crisis. The balance of power in our country has been distorted and has shifted away from the people and toward corporations and special interests. Fossil fuel companies and their allies have undermined progress on the climate crisis for decades. In recent years, we've seen the same kind of influence-peddling stall progress on everything from gun violence prevention to civil rights.

In order to address this crisis, we must not only prioritize reforms that will place power back in the hands of the people, but we must also reconcile the distortion of our media landscape caused by a similar imbalance in power.

The escalating climate crisis will force Americans to ask difficult questions like "Which towns are worth saving?" What are the most significant sacrifices you anticipate citizens will have to make in the coming years?

Unfortunately, our most significant sacrifices will not be choices we make, but consequences we must deal with because of our failure to act in time to avoid the impacts of the climate crisis. Communities will continue to be displaced by rising sea levels, extreme weather events, wildfires and more.

However, action to solve the climate crisis needn't be a matter of sacrifice. On the contrary, climate action can benefit our communities. Smart investments in energy efficiency, for example, can create jobs (that by their very nature can't be outsourced) and greatly reduce energy costs.

The war in Ukraine has led President Biden to retreat on his ambitious climate commitments. How significant has the war been for global climate action?

The United States and every other country around the world has reached a critical inflection point on the climate crisis, which certainly raises the risk of backsliding, though I believe history will view this as an accelerant on our transition away from fossil fuels.

This is a war enabled by our continued dependence on fossil fuels. The unfortunate reality of the market for these global commodities is that despite embargoes on Russian oil and gas (which I strongly support), Putin will continue to profit from our global addiction to these sources of energy. It is only by reducing the market for these products that we will be able to undermine his power. We need more solar and wind and electric vehicles and everything else that will enable us to get off fossil fuels for good.

This should be a moment of global epiphany, not moral cowardice. It is clear that our reliance on fossil fuels poses a significant and ongoing threat to democracy around the world. We must embrace the shift away from fossil fuels and refuse to allow democracy to be held hostage by petrostates like Russia.

You can read the full interview here.

From The Daily team: The latest climate news

Temperatures in San Antonio reached the 100-degree mark for a record number of days in June, as Texas and much of the central U.S. sweltered through a heat wave.Eric Gay/Associated Press

If you're interested in learning more about some of the topics covered by Mr. Gore, we made a playlist of our latest climate coverage for you to listen to.

And to hear more about how cities can power the green transition, listen to this conversation between Sadiq Khan, the mayor of London, and Somini Sengupta, our international climate reporter. In a conversation at The Times's climate conference in London this week, Mr. Khan said cities "can't wait for the national cavalries to arrive" in tackling the crisis.

For you audio nerds, the conference also featured a 4-D immersive sound experience — filled with the sounds of species lost and landscapes irrevocably altered in the climate crisis. "This is a journey into climate grief, one that invites listeners to engage with the crisis in a new way," said Alice Aedy, co-founder of Earthrise Studio.

You can read more about the installation and its artist, William Russell of Monom studio in Berlin, here.

On The Daily this week

Monday: This is what it was like inside four abortion clinics last Friday, the day Roe ended.

Tuesday: What does access to abortion now look like across America?

Wednesday: Cassidy Hutchinson, a former White House aide, gave an astonishing account of what Donald Trump knew about the events of Jan. 6.

Friday: We hear from Nancy Stearns, an abortion rights champion of the 1970s, on life before and after Roe.

That's it for the Daily newsletter. See you next week.

Have thoughts about the show? Tell us what you think at thedaily@nytimes.com.

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